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PD 2 page spread..pencils only by ~CopperAge:iconCopperAge:


©2008-2009 ~CopperAge
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Submitted: July 1, 2008
File Size: 1.1 MB
Image Size: 187 KB
Resolution: 1024×724
Comments: 47
Favourites & Collections: 51 [who?]

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Artist's Comments

ah..Back to Hopeless, Maine.

Here is the art, in pencil, for the first two pages of Personal Demons (the opening chapters of our "Hopeless" storyline..concerning Salamandra's early life and.."career..among other odd,dark. things)

These pages will also have the introductory text for this story (right to left, as we plan to do this in native manga format)


not finished, of course..still need to tone and add effects, the words...and some magic coming from Sal's hand (the one furthest from the lighthouse) going to be trying a new technique for this..involving separately drawn and scanned elements..

at any rate..hope you like!

and..welcome(back) to Hopeless, Maine.

tom
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Comments


*leh gasp* thats rreeeaaaaalllyyy purrty!!!!
wow this is nice!
I love the waves and all the effects you put on the whole drawing!

--
I'm always seeking new advises to get better, so if you have time please visit my gallery and leave a comment, I don't mind bad critics either as long as they help me out! Thanks
!!!!^______^!!!!

Thanks Coral!
Very glad you like!


tom

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Gothic mangaka
[link]
YEEEEEEE!!!!!
Thanksfull!

tom

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Gothic mangaka
[link]
So Awesome!!
the details are amazing!!

--
"I feel it in my blood now its turning me, It's turning me." - Blue Morning

[link]"Commission me?
YAY!


and
THANK you!
it..makes you want to know what happens.....?

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Gothic mangaka
[link]
I really love the perspective. The amount of details in this drawing is just incredible! Great work:D

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The vision never dies...
Thanks so much!

Very glad you like!

tom

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Gothic mangaka
[link]
yep, you're so welcome ^^

--
"I feel it in my blood now its turning me, It's turning me." - Blue Morning

[link]"Commission me?
:| woooooooooooooow.. this is awesome!! nice work :)

--
We are here to suffer
And our profession in this world is to die

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